Author Bio:
Kayla Jameth grew up on the family farm in Ohio, baling hay, raising cattle, and making maple syrup. An unrepentant tomboy, her father taught her to weld before she graduated from high school.
She attended Cleveland’s Case Western Reserve University and later, Texas A&M University in her pursuit of veterinary medicine, taking her farther away from her rural roots. You can transplant the county girl, but you can’t make her a city slicker. Besides, it was only going to be for a little while, right?
But it wasn’t all hard work for Kayla, her sojourn as the princess of the Celestial Kingdom left her with the title sir and a costume closet the envy of many knights, lords, and ladies. See? She does have some ladylike qualities complete with the title of Lady to back it up.
After declaring for years that she was just a veterinarian who wrote not an author, Kayla now finds herself living in Spring, Texas (practically Houston) and writing m/m erotic romance. The location is probably a bigger surprise than the genre. Never the kind of girl to discuss makeup and clothing designers, she would rather be outside getting dirty with the boys.
Kayla shares her home with a cat, two guinea pigs, a gerbil, three guppies, a husband and a son and daughter.
Author Contact: https://www.facebook.com/Author.Kayla.Jameth https://www.facebook.com/KaylaJameth https://twitter.com/KaylaJameth
Publisher: Dreamspinner Press
The most famous boy in the world is a prisoner. He’s been charged with a crime he didn’t commit, a crime that could send him to prison for the rest of his life. Languishing within The Compound, the most secure juvenile facility in California, while the district attorney vows to make an example of him because of his celebrity status, Lance must endure the daily indignities of the incarcerated.
New Camelot is fractured without him. Ricky and Chris are bereft, living for the weekly phone call that becomes their only lifeline to the brother they so desperately love, while Arthur and Jenny feel the loss of their son with a sadness that can’t be quelled. And what about Michael, the highly volatile teen who helped write the proposition that will change California forever? Could he really be the monster he says he is? His hatred of Ricky is palpable, and his instability may well threaten the lives of everyone at New Camelot.
As the election looms closer, Proposition 51 takes on an even greater significance in light of the pending trial of the century. The more harshly fifteen-year-old Lance is treated within the broken justice system, the more he contemplates the wisdom of his idea that children need more adult rights. If The Child Voter Act becomes law, won’t it simply allow adults to throw more kids into prison with impunity?
Whichever way the voters decide, his greatest fear remains the same: will he ever again be with the people he loves?
The Knight Cycle Continues…
Kimi’s thoughts:
While working hard to secure children’s rights, with the choice before state voters to either always treat kids 14 and up as adults or always as children, Lance finds himself becoming an unwitting poster child for the criminal justice system. Once again Bowler casts a frank eye at the unpleasant side of what reality is like for too many of today’s youth and makes us look it square in the face. Lance’s experience shows the good with the bad, making for a balanced look that challenges the reader to consider how things can be improved, benefitting society at large as well as the individual.
Lance continues with his struggle for identity and the situation he finds himself in doesn’t help matters. It does however give him a lot of time to think. What makes a person a monster? Does a person doing something horrible make them irredeemable? And what about doing one thing to redress one wrong, while unintentionally opening the door for more possible abuse? Lance’s very incarceration is thanks to such an occurrence, from laws designed to keep dangerously violent offenders off the streets trickling down to children who only MAY have committed a violent crime. It’s a study in the very nature of checks and balances and the need to look at the individual and the facts before to rushing to judgements, whether personal or legal. It’s also a good hard look at the nature of love and of self acceptance. Kimi deems it another must read for both youths and adults.
An Introduction to Ellis O’Neill
Ellis is our reluctant hero in Blind Man’s Wolf. Originally from Yorkshire, he’s run off to London with some of dad’s loose change (understatement) and set up his own business as an art dealer.
He was doing bloody well at it, too. He’d always loved art, but wasn’t very good at it himself, so setting up a gallery of his own seemed the next best thing. He started small with a little space above a bigger shop but after a few years on the scene and a bit more money in his pocket he was finally able to move to a property in Mayfair, the heart of London’s art scene.
It took Ellis a long time to realise that he had trouble with his eyesight. He’d bump into things he hadn’t seen in his periphery and assume he hadn’t paid attention, and it wasn’t until the tunnel vision became more pronounced that he decided to see an optician in case he needed glasses.
Alas it wasn’t good news. He had a form of retinitis pigmentosa. The cells in his retina were dying, it was progressive, and there was no cure. He would be completely blind within a few years and there was nothing that could be done to slow or stop it.
Because life wasn’t going wrong quickly enough for Ellis, he decided to go out and get completely mashed, and ran into someone who would change his existence forever.
Now Ellis is a vampire. He’s not very good at being a vampire, but at least he still has his gallery, and with the assistance of the only friend who knows his secret he keeps his business ticking over while he wonders what exactly he’s supposed to do with eternity when his own guide dog seems to be going crazy…
Excerpt:
“Stop.” Ellis crouched and placed his right hand light against the wet grass. There were leaves, too, covered in leftover rain. He stood and patted his hand dry against his trouser leg, then reached for his glasses and slid them up his forehead. He peered around slowly, searching for any glimmer of light.
Before he had been turned, Ellis was utterly blind even in twilight. What little vision hadn’t been stolen entirely during the day needed a lot of light. Now that he was dead… undead… whatever he wanted to call himself, his senses were sharper. If he was lucky he could potentially make out the headlights of a car coming straight for him so long as it was mere seconds away from impact.
Trying to see was a last-ditch effort, and proved about as worthless as Ellis had expected. He found dim, colourless spots in the sky which were probably street lamps, but that was all. He pushed his glasses back into place and the dark lenses cut out even that small reminder of what was lost.
The clues taken together seemed to indicate that Tiberius had taken him to a park, and his mental map of Mayfair unfurled as he tried to figure out which one. Berkeley Square Gardens were closed after dusk and didn’t re-open until after sunrise. Grosvenor Square Gardens were even more restrictive, as were Mount Street Gardens. He should have noticed if they had crossed Park Lane, but Hyde Park closed at midnight anyway. Tiberius shouldn’t be able to enter any of them after midnight except Green Park; they all had gates which were closed and locked after hours.
Were they in Green Park, then? That wouldn’t be too bad. He fell still and listened again.
In the distance, a small rodent met its end, most likely to a fox. He waited, and heard a flutter of leathery wings high overhead and the rustle as tiny bats grabbed tree branches and came to rest.
Ellis swore, keeping his voice quiet. He had to have reached St. James’ Park. How the hell had he not noticed crossing Piccadilly or The Mall? How had they walked all the way through Green Park without him realising it? If he followed the path all the way to Buckingham Palace he may be able to attract a guard for assistance, but he figured that was likely one of the most densely-packed areas for CCTV cameras in their natural habitat. He’d be even deeper in poo if Her Majesty’s Finest discovered a man who didn’t show up on security screens.
Amelia Faulkner was born in the rolling green countryside of Oxfordshire, and moved to London once she was mostly grown up. She has a degree in Computer Science, and spent quite a long time working with computers until her childhood love of writing could no longer be ignored. Since then she has written for corporate clients and personal pleasure, and finally stepped away from office-bound working in 2011 to freelance from home. Amelia is also a keen photographer and film-goer, and resides in the city (not the City) with her husband. She is notoriously camera-shy, so please enjoy this picture of her cat!
King Arthur and his extraordinary young Knights used ‘might’ for ‘right’ to create a new Camelot in the City of Angels. They rallied the populace around their cause, while simultaneously putting the detached politicians in check. But now they must move forward to even greater heights, despite what appears to be an insurmountable tragedy.
Their new goal is lofty: give equality to kids fourteen and older who are presently considered adults only when they break the law. Arthur’s crusade seeks to give them real rights such as voting, driving, trading high school for work, and sitting as jurors for their peers charged with criminal behavior.
Understanding that the adults of California will likely be against them, Arthur and his Knights must determine how best to win them over.
However, before the king can even contemplate these matters, he finds himself face to face with an ally from the past, one who proves that everything isn’t always what it seems – even life and death.
The Knight Cycle Continues…
Kimi’s thoughts:
It’s not an Arthurian tale without Merlin, and here he makes his first appearance and it’s with a trick that makes the whole world sit up and watch intently. Unsure if it’s the hand of God at work, Satan playing games, an elaborate hoax, or something else all together, everyone has an opinion and wants to do nothing but talk about it. This puts the Arthur and his Knights square in the spotlight san Facebook, Twitter, TV, radio, and the rest of the electronically connected world go absolutely crazy.
It’s a double edged sword. they can use their visibility to rally more to their cause but it comes with great cost. From paparazzi to protestors, to fanatical fans, everyone wants a piece of Camelot and for their own agendas. Learning to handle the spotlight even in the midst of tragedy is a hard lesson. So is learning to accept one’s self worth and coming to grips with one’s burgeoning sexuality. The characters are as beautifully flawed as ever, but always striving to improve themselves and the world around them.
The current crusade of fixing up the crumbling neighbourhoods is well under way, and the new one of drafting a ballot measure regarding children’s rights is one that understandably has many adults balking. It’s sensitively handled though, and it is very hard indeed to argue with the notion that children are either always children or are deserving of being treated as adults in many more legal matters than merely those within the criminal justice system.
This is a darker read than the first in the series, with more details of abuse being revealed. Younger teens may finds several of the scenes distressing, but I still highly recommend this for mature readers aged 11 and up. I urge adults tor read it as well, and to talk about the issues within with their children. I will warn you that it ends on a cliffhanger, so be ready to have to hit the buy button for volume three. I just hope it picks up right where it left off, as this volume did from book one.
According to legend, King Arthur is supposed to return when Britain needs him most. So why does a man claiming to be the once and future king suddenly appear in Los Angeles?
This charismatic young Arthur creates a new Camelot within the City of Angels to lead a crusade of unwanted kids against an adult society that discards and ignores them. Under his banner of equality, every needy child is welcome, regardless of race, creed, sexual orientation, or gang affiliation.
With the help of his amazing First Knight, homeless fourteen-year-old Lance, Arthur transforms this ragtag band of rejected children and teens into a well-trained army—the Children of the Knight. Through his intervention, they win the hearts and minds of the populace at large, and gain a truer understanding of themselves and their worth to society. But seeking more rights for kids pits Arthur and the children squarely against the rich, the influential, and the self-satisfied politicians who want nothing more than to maintain the status quo.
Can right truly overcome might? Arthur’s hopeful young knights are about to find out, and the City of Angels will never be the same.
Kimi’s thoughts:
Michael Bowler stuns with his depiction of modern disenfranchised youth, disillusioned and jaded adults, political greed and corruption, and the purity of hope. 14 year old Lance is a former foster child who is now a kid on the streets struggling to survive when he comes across the strange sight of a strangely dressed man riding a horse. Local gangs are at each others throats over a tag that’s been appearing all over the city, and the LAPD want the tagger caught before all out war erupts. What no one suspects is that this is no ordinary tag- it’s an announcement of hope. King Arthur, the once and future king himself, has indeed returned as legend foretold, only it’s not to Britain, but modern day LA. With Lance as his First Knight, Arthur looks to establish a new Round Table, to teach chivalry to a new generation, and to right the ills of society.
It might sound fantastical, and this is indeed a fantasy, albeit a gritty one. The ills mentioned in this novel are all too real: one size all education that doesn’t properly meet the needs of students, the rifeness of drugs on the street and the recruitment of children to peddle them and who are in turn cultivated as customers, abandoned children tossed onto the street, political corruption, crumbling neighbourhoods, racism, homophobia, and misogyny to name but a few of the societal ills. It’s not a story that will make a lot of adults feel comfortable, as it challenges some of the things that have been taken for granted and that feed our sense of control. It certainly made me stop and think. The more I thought, the more I realised that this book has something VERY important to say, and that I wanted my own two children to read it immediately.
It’s a story about empowerment- not just for kids, but for adults. Yes, adults. Adults who realise that children are always children, and cannot be adults because they are NOT adults. That they behave the way they are taught, and that each member of society is responsible for the examples a child learns by. It’s also a story that is about female empowerment, filled with strong adult and youth role models. It’s about LGBT youth and straight youth, of every colour, all coming together and using their personal strengths to help each other and those around them to make the world a better place. It’s about finding out who you are and your place in the world. It’s both frightening and inspiring. It’s simply a must read, regardless of your age.
Detectives Mark Ruxsberg and Chris Green are very good at their jobs. Being the enforcers for God and Day’s notorious Atlanta PD Narcotics Task Force causes the crazy duo to get into more trouble than they can often get out of. The pair never misses out on an opportunity to drive their Lieutenants crazy with their dangerous, reckless, and costly stunts, landing them in the hot seat in front God… often.
Ruxs and Green love their jobs and they don’t mind the very demanding schedule that leaves them little time for socializing or dating. It was fine with them, they enjoyed hanging out with each other anyway.
However, most of the men in their close circle of friends and colleagues are pairing off and settling down. God has Day, Ro has Johnson, and their Sergeant Syn has Furious.
For the past several years, Ruxs has only sought out the advice and company of one person, his partner and best friend Green, and vice versa. Both of these alpha males are presumed straight, but neither can deny the heat that’s building in their once ‘just friends’ relationship.
Trouble comes in the form of two of ATL’s sexy vice cops Ruxs and Green. Crazy, sexy, dangerous, reckless…all of these would describe these two and just about every cop in God and Day’s task force. I am really glad that their story is finally being told. First, get a look at that cover. I damn near licked the screen of my IPad when it was revealed. Props go out to Princess So. There were a few minor editing/spelling mishaps, but it didn’t take away my enjoyment of the story. What’s great about this book is that it’s fast out the gate. There is quite a bit of over the top macho posturing with these characters but it’s this posturing that makes this story so damn fun to read. There is a LOT of testosterone driven antics on behalf of the cops in their task force, but it’s tempered when it comes to the people they love. I especially liked the way the Via shifted the focus between her characters. Even though Rux and Green were the story’s main characters, she was able to give attention to the story’s surrounding characters while simultaneously keeping the focus on these two. I loved how she let us know that Curtis (the teenager God and Day saved in Nothing Special) turns out great, that the cops have taken him under his wing. Ruxs and Green are best friends and extremely close so the progression of their relationship to lovers was natural. There were more than a few parts in the book that made me laugh until I damn near flat lined (the one sex scene between the two…the dialog was hilarious) one minute and reaching for ice water the next. And there were some very touching moments in the book as well, it wasn’t all about them kicking through doors to take down the bad guys, having sex and talking crap. You definitely see the characters that you love from the previous two books (Syn, Ro, Johnson, and of course, God and Day). Ruxs’s mother….now that is one mother I would gladly throw from a moving train. These characters and their dialog are awesome. The men on the task force are fearless, reckless and tough as nails but underneath it all they have hearts as big as Texas. God and Day’s task force members love, respect and look out for each other like family. Even though I enjoyed this book, Syn and Furi from Embracing His Syn ( book #2 in this series) is still my favorite. A.E. Via has become my go to author when I want to read about hot, sexy, bad boy cops. I rate this book:
Publisher: Silvia Violet Books/Create Space (Independent Publishing Platform)
After experiencing what happens when someone you love walks away and never looks back, Brandon decided love was for fools. Then he spent a summer with Zach. He struggled against feelings that grew every time he and Zach were together, telling himself they were just having a fling. When Zach confessed his love one hot summer night, Brandon panicked. He scoffed at Zach and made sure he walked away first.
Three years later, their paths cross again when Zach becomes the vet at Wild R Farm where Brandon works. Brandon realizes his feelings haven’t changed, but Zach treats Brandon with scorn despite Brandon’s every attempt to show Zach he’s no longer the self-centered man he used to be. When a night out ends with Brandon driving Zach home, confessions are made on both sides, and hope begins to build in Brandon’s heart.
This is book # 6 in the Wild R Farm series and the first book I’ve read from this series. I went in reading thinking that I was going to be confused because I started with the sixth book. Boy, was I pleasantly surprised. The author did a great job of providing a back story so I didn’t run into any of the plot holes I expected to run into when starting in the middle of series. The characters were well written which is what I have come to expect from a Silvia Violet book. Her characters are men who are tough but not so much that they can’t admit their true feelings towards each other. Brandon isn’t a bad man, just a man that’s been hurt before and as often with people who have been hurt, they bring that past baggage into current relationships. This made Brandon out to be somewhat of a jerk but that wasn’t the case. Brandon felt that he had to protect his heart and by doing that he ended up hurting the man he loved. Zach and Brandon come into contact with each other again after a couple years and they find that the love is still there buried under layers of anger and hurt. Yes, Brandon was a jerk and time hasn’t exactly put Zach in a forgive and forget mood. I especially loved how the author allows you to observe how the characters in the previous books interact with each other and with the two main characters. Their personalities intrigued me quite a bit and I will definitely read the rest of the series to find out more about them. As always, Silvia does a wonderful job of bringing her characters to life. You care about them and makes you want to get to know them more. They linger with you after you finish reading. This book was a delightful read and I definitely recommend it.
When family complications take Joshua away from his fundamentalist Christian mother and leave him with his grandfather, he finds himself immersed in a mysterious and magical world. Joshua’s grandfather is a Wisconsin Ojibwe Indian who, along with an array of quirky characters, runs a recreated sixteenth-century village for the tourists who visit the reservation. Joshua’s mother kept him from his Ojibwe heritage, so living on the reservation is liberating for him. The more he learns about Ojibwe traditions, the more he feels at home.
One Ojibwe legend in particular captivates him. Pukawiss was a powerful manitou known for introducing dance to his people, and his nontraditional lifestyle inspires Joshua to embrace both his burgeoning sexuality and his status as an outcast. Ultimately, Joshua summons the courage necessary to reject his strict upbringing and to accept the mysterious path set before him.
Kimi’s thoughts:
Joshua is a teen living in modern America, with a white mother and a father who is Ojibwe living as a “non Indian”. What does that mean? It means his father tries to conform to what the narrow definition of civilised Christian that his wife insists on, only to end up disconnected from himself and his family. Joshua’s father takes off, leaving Joshua alone with his mother’s rigid outlook and rules. This would be difficult enough, but Joshua’s world is thrown further topsy turvy when his mother decides she needs to find herself and that Joshua should go stay on the Ojibwa reservation with a grandfather he barely remembers.
Joshua is in for deep culture shock. he doesn’t know the native tongue spoken on a daily basis by members of the tribe, doesn’t know any of the legends, recognise any of the foods, know how to tribal dance, and encounters racism from two fronts as he’s not white enough nor Ojibwe enough according to some. Adding to his confusion is an increased awareness of his own sexuality. He finds personal strength through the tale of Pukawiss and through it, reaches out to embrace his native heritage and accept his homosexuality.
This doesn’t set well with church volunteers who have self appointed themselves as outreach workers to the tribe, and his mother hears of his “heathen” ways. It leads to a conflict between himself, the tribe, his grandfather, mother, and the self appointed guardians of “Christian civilisation”. The far right religious views of the ministry and his mother are accompanied by ideas of “civilising” that in years past led to the en masse removal of Indian children across the uS and Canada and re-education at boarding schools where they were punished for speaking their native tongues, disallowed to eat their traditional foods, dance their dances, share their legends, or do anything else that was perceived as “Indian”. It’s what led Joshua’s father to break as he did, and why Joshua had no knowledge of his own heritage. How Joshua stands firm, claiming the power of Pukawiss for himself, is a story of great power.
Adopted at an early age by a wealthy family, Jake Davis has always seemed to have an easy life. Even in college he was blessed with good grades and an apparently clear path to a pro football career. Good thing his best friend keeps hanging around to keep his head from getting too swollen.
Zakiya Incekara has always been…odd. Being fluent in six languages and having a flair for international cooking should open the world to him, but those skills leave him isolated.
When Jake sees Zak for the first time, with water beading down his slender form, something inside him shifts, and it hungers for Zak. To have him. To claim him. And Jake knows that whatever it is, it won’t be denied.
When they are approached by a man who claims knowledge of a secret past they share, Jake and Zak are thrust into a world they would never have believed existed. The forests of Alaska might seem an odd place to find your destiny, but these men will meet the challenges head on, as they learn that sometimes you have to make sacrifices to be Protector of the Alpha.
Jake turned from the bar, and Zak watched as the bright smile turn into a sneer. He dropped the tray, the catfish crashing to the floor, before he stalked to where Zak sat. Jake grabbed a man, probably about forty, by his throat and pushed him against the wall.
“You don’t so much as breathe near him,” Jake snarled.
The man looked cool as he smiled and croaked out. “You are everything I had heard you would be, and more, my lord.”
Kimi’s Thoughts:
This is the first instalment of a brand new shifter series by Parker Williams, and as a fan of shifter stories I was really looking forward to seeing what he brought to the table. It’s got some familiar tropes (instant mate attraction via delicious scent for example) but it also offers up some that are not so familiar and mixes in some new, so that what we get is a shifter story that is both familiar and that little bit different. I quite liked how he wove active magic in with the mythos of his world.
Featuring young men at university, the main characters are brash, often insecure, filled with bravado and uncertainties, and of course, not immune to being horny. Williams manages to capture the essence of what it is to be a barely minted adult without homogenising any of the group or reverting to stereotypes. Zak in particular was an interesting character, with his upbringing handing him multilingual ability and a broad knowledge of international customs and cookery, but lacking in interpersonal social skills and a penchant for overly correct speech.
The hows and whys of how Zak, Jake, and jake’s best friend Casey came to cross paths and attend the same university turns out to have been years in the making. They discover they are important chess pieces in an epic struggle to reclaim the pack they never knew they had back from a power crazed alpha. And I do mean crazed- this is one seriously twisted power sociopath they find themselves up against. How twisted? Twisted every bit as bad as some of the worst in Game of Thrones.
Expand Me
Child murder with their heads then placed on pikes
My only personal niggle was how the final boss fight played out. With the big lead in to the death match, the fight scene itself seemed to be over far too quickly. The ending is in itself satisfying with just enough of a lead in to the next book in the series that I was left hungry for the next volume without feeling left on too huge a cliffhanger without resolution to this volume’s main plot line.
Laurie Stallon isn’t like other high schoolers. After suffering years of abuse at his father’s hands, he now lives in a foster care facility and finds solace volunteering at the local animal shelter. Laurie’s had to grow up fast, and even though his eighteenth birthday is still weeks away, he’s more adult than most adults he knows. When he meets Dr. Sam Davies, the new shelter veterinarian, the attraction is instant. They become friends at work, but Laurie knows Sam will never go for someone like him. No matter how Laurie tries to prove his maturity to Sam, Sam continues to reject him as too young.
Needing a distraction, Laurie goes out dancing for his birthday and finds his life in danger yet again. When Sam is called to the hospital, he realizes Laurie needs someone to care for him. Sam takes him home, and they slowly build a relationship. But more than their age difference works against them. Facing the disapproval of friends and the scars from Laurie’s past, they’ll need to put all their trust in love for a chance at a future together.
Kimi’s thoughts:
This book was one of those that you had to look deeper into the thoughts and actions of the characters or miss a lot of the subtext. On the surface, Laurie is at turns annoying, whiny, and a bit of brat. Sam is 27 to Laurie’s 18, and boy, does he feel it when this idea of Laurie surfaces. he gets annoyed, angry, and confuses his role as lover and protector with that of…ooops…an almost parental figure. These are just that though, surface impressions quickly absorbed if you simply read the text and move on. Taking the time to mull over the scenes, I actually got a different picture.
Laurie is living in a shelter of sorts. He’s not had great personal experience with parental figures and once free of his own, has more or less stood on his own two feet. He works, pays his bills, buys his own clothes, does all the things that he thinks marks a responsible adult. He’s also caring, loving his friends and the animal he helps care for with an open sincerity. What he doesn’t have is a true understanding of how life actually works. He thinks he does, and his overprotective personal cheerleader friends aren’t much help in that regard as they are also young and wearing somewhat rose tinted glasses.
Laurie is unprepared for what he finds when he does take those first steps out into the real world of adults. The dangers one can face clubbing, the give and take of a healthy adult relationship, and even facing the truth of how one’s friends unintentionally obstruct your life are all lessons he ends up learning in short order. Up until meeting Sam and becoming involved with him, he’d managed to cover his insecurities and naivety with his quick wits and a show of snark. That is a shield that can only cover so much though, and Sam can see right through it. Sadly, Laurie’s own ego and his friends’ sense of overprotectiveness can’t either and they feed into each other.
I really felt for Sam when Laurie’s friends do their mental dance of vindication and sweep Laurie back to themselves and feed Laurie’s anger with their whispers. Sam and Laurie deserved better than that; Sam is no predator and Laurie deserves better than to be coddled as a victim and hoarded as the friend they don’t want to share. Ultimately, Sam has to face the precise nature of the mental trigger he tripped in Laurie to cause the reaction that started their big fight. Laurie has to face the fact that only he himself knows what he wants and needs and that his friends are not in his and Sam’s relationship and in fact are making well intentioned paving stones for his personal road to relationship hell. He has to face the fact that being an adult is not just about reaching a magic number of years or going through the motions of paying bills and what not, but about width and breadth of life experience in the wider world. It’s about not hiding and owning up to personal mistakes and seeing things from the other side. It’s about truly understanding trust and giving it.
It makes for a sweet romance filled with snark that’s also a tell of two men coming of age. Laurie, who takes his unsheltered first steps out into the real world and Sam who steps into the world of long term romantic relationships. It’s not a perfect read, but this is the author’s debut novel and it is quite an enjoyable one, even if I did at times want to give Laurie and his friends a good shake. The fact that it got me that engaged in the story is a win as is the HEA.
